Aveva ragione Jaques Tati. A proposito dello scontro tra rinnovatori e conservatori sulle recenti tendenze coloristiche di Bologna

Antonio Nicoli

doi:10.6092/issn.2036-1602/3961

Jaques Tati was right. About the clash between reformers and conservatives on recent trends in Bologna

Authors

Antonio Nicoli Architetto

Laurea in architettura a Firenze (1970) relatore prof. Edoardo Detti; stage con borsa di studio olandese (1968) presso lo studio professionale Bakema e van der Brook di Rotterdam; esperienze presso l’ufficio progetti del consorzio delle cooperative di Bologna (1970), diretto da Ettore Masi e lo studio Rijnhold e Girot ad Amsterdam (1974). Libero professionista a Bologna dal 1975, è collaboratore dell’Istituto dei Beni Culturali come ricercatore. E’ stato sindaco del Comune di San Giovanni in Persiceto, presidente della SEABO, azienda energetica di Bologna, presente nel Consiglio di amministrazione del CUP 2000.

DOI:

https://doi.org/10.6092/issn.2036-1602/3961

Keywords:

Monsieur Hulot, urbanarchitettura, Corviale, Scampia, Zen

Abstract

Referring to several films on modernism in architecture and urbanism of the Sixties, with Monsieur Hulot as main performer, this contribution reads critically the so-called “urbanarchitettura” with references to the most problematic cases, Corviale, Vele di Scampia, Zen, symbols of a failure of an utopian design.

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Published

2013-06-30

How to Cite

Nicoli, A. (2013). Jaques Tati was right. About the clash between reformers and conservatives on recent trends in Bologna. IN_BO. Ricerche E Progetti Per Il Territorio, La Città E l’architettura, 4(6), 289–300. https://doi.org/10.6092/issn.2036-1602/3961

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Issue

Vol. 4 No. 6 (2013): CITIES AND REGION IN EMILIA-ROMAGNA. The project of a territory and its history (1970-2012)

Section

Territorial Planning

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