Ettore Spalletti: Salle des départs in Garches

Authors

  • Andrea Dall'Asta Galleria San Fedele in Milan

DOI:

https://doi.org/10.6092/issn.2036-1602/3242

Keywords:

Ettore Spalletti, Salle des déparats, morgue, hospital, death

Abstract

Ettore Spalletti re-invents in 1996 the morgue of Raymond Poincaré Hospital in Garches, just at Paris gates. It is a space without any religious symbol where corpses, already put in their coffins, can receive the last look of relatives and friends. This space is la Salle des Départs, that is the departures room, where each man – Muslim, Christian or non-believer -  has to stay for the short transit between the world of life and the one of death, towards a new life. Ettore Spalletti wants to humanize a place that could help people to elaborate death, breathing peace and  serenity. Starting from a completely anonymous space, thanks to the expressiveness of azure color, the same of the cloak of the Vergin who welcomes her sons, the artist makes us dip in a space which presents itself as the incarnation of  purity, becoming like a symbol of the promise of transcendence and absolute.

Published

2012-06-30

How to Cite

Dall’Asta, A. (2012). Ettore Spalletti: Salle des départs in Garches. IN_BO. Ricerche E Progetti Per Il Territorio, La Città E l’architettura, 3(4), 5–16. https://doi.org/10.6092/issn.2036-1602/3242